The montage film will often jump from one scene to another, cutting together shots of unrelated events in order to tell a story or illustrate an idea. Their goal was to create films with a more dynamic and realistic approach than the standard Hollywood narrative. Montage theory is a style of filmmaking that was first conceived by Soviet filmmakers during the 1920s. Soviet Montage theory is a technique that filmmakers use to create meaning through the juxtaposition of images. This revolutionary technique helped shape how films were made for years to come and changed cinema forever! What Is Soviet Montage Theory?
#Russian montage definition series#
The term itself originates from Sergei Eisenstein’s 1925 silent film Battleship Potemkin where he used these methods as propaganda against the Tsarist regime during a series of riots known as Bloody Sunday. It employs juxtaposition through cutting between shots, usually images or sequences of events that are not contiguous in time (although they may be spatially related), with one shot leading into another. What is Soviet Montage Theory? In order to fully understand the meaning of this theoretical film technique, it is important to know its background and what defines a Soviet Montage.Ī “Soviet montage” is an editing style that was developed by Russian filmmakers in the late 1920s.
0 kommentar(er)
